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Cinema and Video
Murder-Set-Pieces asap
artur.sumarokov
2K
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“Murder-Set-Pieces” in its variations encapsulates the spectrum of horror—from tame entertainment to boundary-pushing art
Cinema and Video
Bloody reunion
artur.sumarokov
355
In retrospect, Bloody Reunion stands as a bold entry in the K-horror canon, blending slasher excess with sociological bite.
Shock as an Aesthetic Category: The Evolution and Diminishing Returns in Dario Argento's "Trauma" (1993)
artur.sumarokov
167
“Trauma” stands as Argento’s last truly watchable film, a poignant swan song before his output plummeted.
The Aesthetics of Transgression: Boundary-Breaking Excess in Jacker 3: Road to Hell
artur.sumarokov
149
Jacker 3 insists on the transgressive imperative—to stare into the abyss, not with fear, but feral joy.